Campus, Faculty, Students

The interdisciplinary course brings together faculty from the arts and the sciences.

On a recent Thursday afternoon, students in 兔子先生鈥檚 Connections 375: The Art & Science of Color class were split into two groups. One group combined various chemicals to produce Prussian blue鈥攖he first modern, synthetic blue pigment鈥攚hile the other group foraged outside to find the ingredients to create ochre鈥攐ne of the oldest naturally-derived pigments. The class, co-taught by Professor of Chemistry & Biochemistry Dan Burgard and Professor of Art & Art History Elise Richman, is brimming with hands-on experiments, art projects, guest lectures, field trips, and in-depth discussions around a deceptively simple question: what is color?   

鈥淎s a scientist, I鈥檓 trained to think of color as something objective, that you could put a number on, but the more you unpack it, the more you realize that there鈥檚 a lot more to it than saying a wavelength that鈥檚 this many nanometers equals this color,鈥 says Burgard. 鈥淚t鈥檚 such a unifying thing throughout biology, psychology, art, history, or economics. Color gives us a great jumping-off point into all these disciplines.鈥

As a Connections course, the class offers an interdisciplinary approach that blends art and science, with topics ranging from color theory and the cultural associations of various hues and pigments to the biology of vision and how the Earth鈥檚 atmosphere scatters light. Richman and Burgard approach each topic from a different vantage point, and they enjoy learning from each other as they share their expertise.
 
鈥淚t shows that there are a lot of different ways to go about solving problems,鈥 says Richman. 鈥淪o, when we paint or draw, we鈥檙e engaging our senses and engaging in discovery, then when we talk about the chemical side of things, like how different metals produce various pigments, we鈥檙e using a different lens. Teaching this class has really enriched my own thinking and I鈥檓 confident students are having those 鈥榓ha鈥 moments, too.鈥  

In addition to lectures, classroom discussions, studio art, and lab time, the class also ventured to the Puget Sound Museum of Natural History to learn how beetles and butterflies utilize iridescence and to the nearby Museum of Glass to see how glassblowing artists manipulate heat to produce different hues in their final products.

鈥淚鈥檓 a biochemistry major, so I don鈥檛 have a lot of experience with the art side, but I wanted to stretch myself and this class has been really eye-opening,鈥 says Kobe Kwan 鈥25. 鈥淚 especially liked going to the natural history museum and seeing how color emerges in nature.鈥
 
鈥淒an and Elise do a good job of making the material accessible,鈥 adds economics major Aiden Siothun 鈥25. 鈥淒an makes the science understandable and Elise is an amazing art teacher. I鈥檓 not a science or an art major, so this has been a great way to satisfy a core requirement.鈥

As the final project for the course, students present on a color of their choice at Puget Sound鈥檚 long-running Art + Sci Salon series, where they share the history of the color, how it appears in art, its psychological significance, its use in advertising, and much more, drawing on their academic interests to guide their research.
 
鈥淚n my group, I鈥檓 talking about Shakespeare鈥檚 use of the color green; for example, how he used green as a symbol of jealousy in Othello,鈥 says English major Grace Beltran 鈥24.

The interdisciplinary nature of the Art & Science of Color course is a hallmark of a Puget Sound liberal arts education, especially through the university鈥檚 revamped Grow Core Curriculum, which encourages students to make connections outside of their primary field of study throughout all four years of their college experience.
 
鈥淭his is a fun course to teach, but it鈥檚 also great to see students make connections that go beyond the classroom,鈥 says Burgard. 鈥淚t鈥檚 the kind of class that students are still talking about in the hallway after the lecture and hopefully will think back on years from now.鈥